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  Victoria Orenze is a celebrated figure in Nigerian gospel music, known for songs like “Covenant Keeping God” and “Spirit Chant,” which have touched countless lives. Beyond her musical talent, she serves as a pastor and apostle, leading Jesus Unhindered Ministry with a mission to spread the gospel of Jesus Christ. Her approach to ministry invitations is a reflection of her spiritual convictions, emphasizing obedience to God and a desire for mutual spiritual growth. In a conversation with Pst Sola Osunmakinde, Orenze revealed that her decisions are primarily guided by divine instruction, stating, “90% for me, is based on instruction, if the lord says go…”. Her refusal to charge for performances and her focus on spiritual edification has sparked discussions within the gospel music community, making her approach a compelling subject for analysis.
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Divine Instruction as the Foundation

At the heart of Victoria Orenze’s response to ministry invitations is her reliance on divine instruction. She believes that her ministry is not her own, but a calling directed by God. In her conversation with Pst Sola Osunmakinde, she explained, “I don’t believe I have anything to give if Jesus doesn’t give me, so it’s based on instruction”. This principle ensures that her engagements align with what she perceives as God’s will, rather than personal ambition or external pressures. Her commitment to divine guidance is further evidenced by her stance on not charging for performances. In a recent video, Orenze stated that she does not request payment because her talent was freely given by God, and she feels compelled to serve without attaching a price. This approach contrasts with common practices in the Nigerian gospel music industry, where many artists charge for their appearances to cover expenses or sustain their ministries. Orenze’s refusal to do so has been both praised and debated. For instance, a recent controversy involving gospel artist Timi Dakolo and Pastor Femi Lazarus highlighted differing views on this issue. While Dakolo argued that gospel singers deserve to earn a living from their craft, Orenze maintained that her priority is to serve God without financial motives, stating, “There’s no way you can love money and serve God”. She supports her team using proceeds from digital streaming platforms, discouraging them from billing churches for their services. Orenze’s stance is not without challenges. Critics argue that not charging may be unsustainable, especially for artists with large teams or significant expenses. However, Orenze remains steadfast, emphasizing that her obedience to God’s instruction takes precedence. She acknowledges that others may receive different guidance, saying, “If you say the Lord is saying you should charge, pls do it… we will all answer to the Lord”. This flexibility reflects her respect for individual callings while maintaining her personal commitment to a non-commercial approach to ministry.
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The Importance of Spiritual Edification

In addition to divine instruction, Victoria Orenze places significant value on spiritual edification when responding to invitations. She seeks environments where she can experience and contribute to spiritual growth, fostering a mutual blessing between herself and her audience. In her conversation with Pst Sola Osunmakinde, she noted, “If I go to a place and I’m blessed, I’m not talking about money, but spiritually I am blessed, I want to go back there”. This desire for spiritual connection drives her to return to places where she feels edified, even without formal invitations, as she values the principle of “deep calls to deep.” This focus on spiritual edification is a hallmark of Orenze’s ministry, which is described as delivering “a prophetic sound that ushers believers into transformative encounters with God”. Her performances are not merely musical events but opportunities to create atmospheres of worship and revival. For example, her 2016 concert “Return” was noted for moving and illuminating audiences, with clips of the event touching viewers worldwide. Such events demonstrate her commitment to fostering spiritual growth, both for herself and those she ministers to. Orenze’s emphasis on spiritual edification also influences her relationships with churches and ministries. She prioritizes engagements where there is a shared commitment to worship and spiritual awakening, aligning with her mission to “allow Jesus Christ to move through her as He chooses and pleases”. This approach has led to repeated collaborations with like-minded ministers, such as Nathaniel Bassey, with whom she has worked on songs like “Alagbada Ina”. These partnerships reflect her preference for environments that reinforce her spiritual values.
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Conclusion

Victoria Orenze’s approach to responding to ministry invitations is a powerful example of faith-driven service in the Nigerian gospel music industry. Her reliance on divine instruction ensures that her engagements are purposeful and aligned with her spiritual calling, while her emphasis on spiritual edification fosters meaningful connections with her audience. Her refusal to charge for performances, as highlighted in recent discussions, challenges conventional practices and underscores her commitment to serving God without financial motives. While her approach has sparked debate about its practicality, it has also inspired many to prioritize spiritual integrity over material gain. Orenze’s example serves as a beacon for gospel artists and ministers, encouraging them to reflect on their own practices and priorities. As she continues to impact lives through her music and ministry, her approach to invitations remains a testament to the power of obedience and selflessness in serving God. In a world where financial considerations often overshadow spiritual ones, Victoria Orenze stands as a reminder that true ministry is about fulfilling God’s purpose and edifying His people.

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This article was first published on 4th July 2025
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preciousgift-nwaeze

Preciousgift is an exceptionally gifted Nigerian writer with a robust theological background and an unwavering passion for gospel music. Alongside crafting uplifting gospel content, he demonstrates expertise in writing about education, communication, and technology, showcasing his remarkable versatility across various subjects.

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