Behind the Lyrics: “Utterance” by Ibukun Moshoba

“Utterance” by Ibukun Moshoba is a concise yet profound Nigerian gospel composition that underscores the believer’s longing for divinely inspired worship. Through its repetitive invocation of musical elements and spiritual gifts, the song invites an exploration of how praise, the work of the Holy Spirit, and participation in heavenly worship converge to shape the believer’s spiritual experience. This article will unpack the lyrics’ theological depth and biblical foundations across three key themes.

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Behind the Lyrics

Praise as an Act of Creation and Communion

The opening lines – “Give me songs, give me lyrics, give me melody, I want to praise” – reflect the biblical mandate to worship God with music: “Sing to him a new song; play skillfully, and shout for joy” (Psalm 33:3 NLT). By pleading for “songs,” “lyrics,” and “melody,” the lyricist acknowledges both the human responsibility to craft worship and the Spirit’s enlivening presence that makes that worship efficacious. Praise here is portrayed not merely as an emotional response but as a creative act that bridges earthly artistry with divine glory, echoing the psalmist’s exhortation to “Enter his gates with thanksgiving; go into his courts with praise” (Psalm 100:2 NLT).

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Rhema and the Holy Spirit’s Empowerment

When the song transitions – “Give me words, give me rhema, give me utterance, I want to worship” – it elevates worship from structured composition to Spirit-led proclamation. The term rhema, Greek for “spoken word,” suggests a spontaneous, Spirit-breathed utterance akin to the early church’s experience at Pentecost: “All of them were filled with the Holy Spirit and began to speak in other tongues as the Spirit enabled them” (Acts 2:4 NLT). This aligns with Christ’s promise that “when the Father sends the Advocate…I will send him to you. And when he comes, he will convict the world of guilt…and he will guide you into all truth” (John 16:7–13 NLT), emphasizing that authentic worship flows from divine inspiration rather than mere personal creativity.

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Joining the Angelic Choir

The refrain – “Holy holy, worthy worthy, Songs of angels, I want to join them” – draws its imagery from the worship scenes of Revelation, where celestial beings surround the throne crying, “Holy, holy, holy is the Lord God Almighty” (Revelation 4:8 NLT). By expressing a desire to “join” these angelic songs, the believer affirms both the present reality of heavenly worship and the eschatological hope of uniting with the redeemed host. This aspiration echoes the psalmist’s vision: “Ascribe to the Lord the glory due his name; worship the Lord in the splendor of his holiness” (Psalm 29:2 NLT), reminding worshipers that their earthly praise participates in an ongoing, cosmic liturgy.

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Conclusion

In “Utterance,” Ibukun Moshoba masterfully weaves together the human and the divine elements of worship: musical expression, Spirit-empowered speech, and the longing to participate in angelic praise. Grounded in scriptural precedence, the lyrics guide believers to seek God’s enabling presence in both composition and proclamation, while simultaneously lifting their gaze toward the eternal throne room. Through its simplicity, the song captures the transformative power of Spirit-led worship, inviting every listener to offer their own “utterance” in harmony with heaven’s unending hymn.

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This article was first published on 12th May 2025
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