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“Not Ojoro (God is Good)” by Mr M & Revelation is a vibrant Nigerian gospel song that repeatedly affirms the intrinsic goodness of God and invites believers to observe and testify to His benevolence. Through the refrain “God is good, it’s not ojoro (not a lie), the more I look, the more I see,” the song immediately establishes a thematic emphasis on God’s objective goodness and the necessity of personal awareness. By invoking imagery of Jesus as the “Mighty Warrior” and “Lion of the City,” the lyrics draw upon rich biblical metaphors to highlight Christ’s unrivaled authority and compassion. This article will unpack the theological implications of these lyrical elements (namely, the affirmation of God’s goodness, the call to attentive observation, the Christological titles, and the communal invitation to witness) demonstrating how each component coalesces to underscore a theology of assurance and praise.
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Behind the Lyrics

Affirmation of God’s Goodness as Verifiable Truth
The song’s central refrain – “God is good, it’s not ojoro” – emphasizes that God’s goodness is not merely a subjective opinion or an unsubstantiated claim but an objective reality that withstands scrutiny. In Hebrew, the concept of “goodness” (טוֹב, tob) frequently appears as an essential attribute of God, as seen in Psalm 100:5: “For the LORD is good. His unfailing love continues forever, and his faithfulness continues to each generation” (). By prefacing “it’s not ojoro,” a Yoruba idiom meaning “not a lie,” the lyricist reinforces that divine goodness transcends mere sentiment or wishful thinking. Moreover, the line “the more I look, the more I see” echoes Psalm 34:8 (), “Taste and see that the LORD is good. Oh, the joys of those who take refuge in him!” Here, “look” functions as a metaphor for experiencing God’s character through both personal reflection and communal testimony (cf. James 1:17: “Every good and perfect gift is from above, coming down from the Father of the heavenly lights…”). Thus, the refrain invites worshipers to verify God’s goodness empirically (by observing His faithfulness) rather than accepting it as an abstract tenet.
Attentive Observation of God’s Works
Closely tied to the affirmation of God’s goodness is the concept of “looking” or “seeing” divine activity. The repetition “the more I look, the more I see” underscores an active posture of attentiveness; believers are encouraged to discern God’s fingerprints in everyday circumstances. This notion parallels Jeremiah 33:3 (), where God declares, “Call to me and I will answer you and tell you great and unsearchable things you do not know,” suggesting that divine revelation requires intentional seeking. In practical terms, “looking” may involve meditation on Scripture (cf. Psalm 119:18, : “Open my eyes to see the wonderful truths in your instructions”) or reflecting on providential interventions (cf. Romans 8:28, ). By fostering an attitude of vigilant observation, the song’s lyrics teach that recognition of God’s goodness is a process—a progressive revelation rather than a one-time event. This theological insight challenges listeners to cultivate spiritual “eyes” that perceive God’s generosity not only in miraculous deliverances but also in providential provision.
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Christological Titles: “Mighty Warrior” and “Lion of the City”
In proclaiming “That man of Galilee … Odogwa Akataka (Mighty warrior) … Agunechemba (Lion of the City), Of a truth You are good,” the song ascribes to Jesus both the role of conquering hero and the benevolent protector of His people. The phrase “That man of Galilee” directly evokes Acts 2:22: “Fellow Israelites, listen … Jesus of Nazareth was a man accredited by God to you by miracles, wonders and signs…” By emphasizing His Galilean origin, the lyric aims to remind worshipers that the same Jesus who ministered on earth remains active in believers’ lives. The title “Mighty warrior” echoes Exodus 15:3: “The LORD is a warrior; the LORD is his name,” transferring Yahweh’s Old Testament martial imagery onto Christ; thus affirming the doctrine that Jesus embodies divine strength. Meanwhile, “Lion of the City” parallels the New Testament’s “Lion of the tribe of Judah” (Revelation 5:5), a messianic designation that underscores royal authority, judgment, and compassion. By employing these titles, the song underscores that only Christ possesses the unique combination of martial prowess (cf. Isaiah 42:13: “The LORD will march out like a mighty man… He will crush his foes”) and tender care (cf. 1 Peter 5:4: “When the Chief Shepherd appears, you will receive the crown of glory that will never fade away”).
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Communal Invitation to Testify and Participate
The call-and-response segment “When you hear the Lord is good, count me oh, count me” – functions as a communal affirmation, inviting every worshiper to publicly align with the truth of God’s goodness. This resembles the biblical practice recorded in 1 Chronicles 16:23–25: “Sing to the LORD, all the earth; proclaim his salvation day after day. Declare his glory among the nations… For great is the LORD, and he is highly praised; he is feared above all gods.” By saying “count me,” individuals are not only joining in praise but also testifying that they have personally witnessed God’s faithfulness. Theologically, this corporate participation fulfills the mandate in Psalm 107:2: “Let the Redeemed of the LORD tell their story; those he redeemed from the hand of the foe.” By structuring the lyric in a repetitive, communal fashion, Mr M & Revelation encourage congregations to declare unity in worship, reinforcing that personal testimonies and communal praise mutually strengthen awareness of God’s goodness.
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Conclusion

“Not Ojoro (God is Good)” by Mr M & Revelation weaves together a robust affirmation of divine benevolence, a call to intentional observation, Christological titles replete with martial and royal imagery, and a corporate invitation to testify. The repeated refrain – “God is good, it’s not ojoro; the more I look, the more I see” – summarizes the song’s core teaching: that God’s goodness transcends cultural idioms and personal circumstances, and that believers must actively perceive and proclaim it. By invoking biblical metaphors such as the “Mighty Warrior” (Exodus 15:3) and the “Lion of the City” (Revelation 5:5), the lyrics affirm Jesus’s unique capacity to conquer evil and safeguard His followers. Finally, the communal response “count me” underscores the integral role of shared testimony in reinforcing faith (Psalm 107:2). Collectively, the song’s messages persuade listeners to hold fast to the conviction that God’s goodness is verifiable, Christ’s power is unparalleled, and corporate worship amplifies the recognition of divine grace.
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This article was first published on 28th May 2025
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preciousgift-nwaeze

Preciousgift is an exceptionally gifted Nigerian writer with a robust theological background and an unwavering passion for gospel music. Alongside crafting uplifting gospel content, he demonstrates expertise in writing about education, communication, and technology, showcasing his remarkable versatility across various subjects.

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