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Dunsin Oyekan’s “Hagiazo” takes its title from the Greek ἁγιάζω (“to set apart” or “to make holy”) and unfolds as a lyrical exploration of consecration. In asking, “What heaven is singing now?” the worshiper enters into divine revelation, then responds by dedicating every aspect of life to God. This piece will analyze how “Hagiazo” weaves biblical motifs of holiness, sacrifice, and readiness into a unified call to spiritual surrender.

Behind The Lyrics

Verse

The opening lines – “I asked the Lord what heaven is singing now / He said to me ‘Hagiazo’ (Set Apart)” – mirror prophetic encounters where God unveils heavenly worship (cf. Isaiah 6:3 NLT). By naming heaven’s anthem “Hagiazo,” Oyekan emphasizes that sanctification is first decreed in the throne room. The confession, “The life I live is no longer my own,” echoes Paul’s appeal: “I urge you…to offer your bodies as a living sacrifice, holy and pleasing to God; this is your true and proper worship” (Rom 12:1 NLT). Here, sanctification moves from a concept into lived reality as the believer surrenders personal autonomy.

Chorus

The refrain “Hagiazo… I present myself to You, separated unto You” functions as both declaration and prayer. To be “separated unto You” resonates with 2 Corinthians: “Come out from among them…and I will be your Father” (2 Cor 6:17 NLT), underscoring God’s call to purity. Moreover, the chorus aligns with 1 Thessalonians’ injunction: “God did not call us to be impure, but to live a holy life” (1 Thess 4:7 NLT). By repetitively offering oneself, the worshiper embraces the identity articulated in 1 Peter: “You are…a chosen people, a royal priesthood…that you may declare the praises of him who called you out of darkness” (1 Pet 2:9 NLT).

Bridge

In the bridge – “Make me holy, Make me worthy / Ever ready for the Master” – the tone shifts to earnest petition, reflecting Paul’s exhortation to “live a life worthy of the calling you have received” (Eph 4:1 NLT). The plea for readiness (“Ever ready”) echoes Christ’s admonition to “Watch!” for the Master’s return (Mark 13:37 NLT). Furthermore, the song’s repetitive structure cultivates spiritual formation akin to the psalmist’s repetitive laments and praises (cf. Col 3:16 NLT), forging a rhythm that reinforces holiness as both gift and ongoing pursuit.

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Conclusion

Through verse, chorus, and bridge, “Hagiazo” intricately binds the themes of divine revelation, personal surrender, and eschatological vigilance. Drawing on pivotal scriptures (Romans 12:1 on living sacrifice, 2 Corinthians 6:17 on separation, Ephesians 4:1 on worthy conduct, and Mark 13:37 on readiness) the song summons believers to a holistic consecration. Ultimately, Oyekan’s “Hagiazo” is more than a melody; it is a liturgical declaration that every life is to be set apart for the glory of God.

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This article was first published on 28th April 2025
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preciousgift-nwaeze

Preciousgift is an exceptionally gifted Nigerian writer with a robust theological background and an unwavering passion for gospel music. Alongside crafting uplifting gospel content, he demonstrates expertise in writing about education, communication, and technology, showcasing his remarkable versatility across various subjects.